MIT 24.213 Philosophy of Film, Fall 2004
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- Publication date
- 2004
- Topics
- Philosophy, seminar, analysis, film, art, meaning, formal structure, aesthetic, problems, appearance, reality, literary, visual effects, communication, alienation, technology, Beauty and the Beast, Welles, Orson, Citizen Kane, Allen, Woody, The Purple Rose of Cairo, Visconti, Luchino, Death in Venice, Renoir, Jean, The Rules of the Game, Hitchcock, Alfred, The 39 Steps, Lindstrom, Megahey, BBC Television, The Magnificent Ambersons, The Crime of Monsieur Lange, Le Roi d'Yveto
- Language
- English
Instructor: Prof. Irving Singer
This course is a seminar on the philosophical analysis of film art, with an emphasis on the ways in which it creates meaning through techniques that define a formal structure. There is a particular focus on aesthetic problems about appearance and reality, literary and visual effects, communication and alienation through film technology.
View the complete course: http://ocw.mit.edu/24-213F04
This course is a seminar on the philosophical analysis of film art, with an emphasis on the ways in which it creates meaning through techniques that define a formal structure. There is a particular focus on aesthetic problems about appearance and reality, literary and visual effects, communication and alienation through film technology.
View the complete course: http://ocw.mit.edu/24-213F04
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